“This week, Chicago’s Raven Theatre continued its 2018-2019 season with a revival of Vogel’s seminal work. A cross-functional discomfort with the painful, once socially taboo issues that the 21st Century #MeToo movement has dragged from the shadows appears to have undermined the laudable artistic effort.
Helmed by Raven Theatre’s Artistic Director Cody Estle, nearly every performer onstage during the production, except for actress Kathryn Acosta (Female Greek Chorus), looks like they’d rather be somewhere else. At all times. While this makes sense for the haunted, broken and threatening character of Uncle Peck (played with admirable complexity by Rivendell Theatre Ensemble member Mark Ulrich), the lack of emotional commitment doesn’t work for the rest of the cast. It’s hard to determine if Mr. Estle directed the artistic conflict or if it is the organic result of too much creative self-awareness. In either case, the ambivalence spills onto the audience in Raven’s 99-seat East Stage theatre.
I wasn’t expecting standup comedy from lead actress Eliza Stoughton, who inhabits the character of L’il Bit. She is asked to translate and communicate the 1960s rural experience of a girl born into a family with an absent father, and assigned a nickname that’s a euphemism for female genitalia. The compulsion to strip any hint of humor from that starkly depressing origin story must be strong. But it’s not what Ms. Vogel intended.”