Dogs & Cats, Living Together! Mass Hysteria!

Meko and Jude

This evening, during our regular constitutional with the dogs, Bob told me that Jude ate some random, discarded alley bread in the morning. Worse, it was the bleached white variety devoid of any nutrition or flavor. When they returned home, Jude made a beeline for the toilet in order to rinse his verboten snack down with some refreshing tank juice. An eight year-old, 65-pound Australian Shepherd/Rottweiler swarmed with affection, high quality food, medical care and fabulous designer dishes has the culinary inclinations of a starved Depression-era chain ganger. Bob and I imagined him a prisoner/bootlegger, using his white bread and john water to ferment jailhouse gin.

This is Jude.

In June, shortly after Bob and I began co-habitating, I came home to a household of three pets for one of the first times. Dino, my fluffy, four-pound, 16 year-old ball of kitty might, is renowned throughout the blogosphere. I’ve written about our relationship for some years. But life progresses unpredictably, and a woman never considered a dog person suddenly found herself eagerly learning the quirks and schedules of two new, very large babies. I met Bob one cold February night and that was it. My heart stretched to fit the exact dimensions of this motley crew.

I returned home that rainy June evening to Dino, Jude and our 10.5 year-old German Shepherd/Rottweiler mix, Meko. When Bob rescued her at age six, she had the longer name Kameko. Bob, ever the enemy of needless syllables, shortened the moniker. It fits. She’s a no-frills gal. I swear she even looks like a Meko.

Anyway Meko has been, as they say in the adoption world, “re-homed” twice. Bob is at least her third daddy. We’ll never know her complete history. But we’re certain that she’s very much afraid of storms. Not when she has the chance to run around in one in the yard, mind you. Fear of proximity would make entirely too much sense and dogs don’t operate on logic. Instead Meko cowers from tempests – but only when indoors. Actually no, cowers is absolutely the wrong word. More like she goes WWE on our garbage cans and rugs, tearing up the recyclable shopping bags with her considerable 70-pound fangs.

This is Meko.

So that June evening. It was raining rather intensely in the Chicago way, with lots of spring lightening and gusty wind. I walked home from the train after work as fast as I could, expecting to encounter one of two typical scenarios – a peed upon bath mat or golden showered doggie bed. Thankfully we have access to a large washing machine. But this was no rehearsed production. My adopted darling canines had much more in store for the new mom.

By workday because he is a grazer, tiny and both rescue dogs were ill-fed in their past lives (Bob adopted Jude at one, but the poor fella still has a strong aversion to old men bearing canes or umbrellas – sad and enduring), Dino is sequestered with his food, litter box, heating pad, kitty condo and water in our second bedroom. There’s a window facing East and the little bambino likes watching the sun rise.

One may access this room in two ways: a conventional door off a long hallway, or from a bathroom closet that hangs a sharp left into the back of the bedroom’s laundry space. No human being over the age of six can fit through the latter entrance, owing to the built-in (backless) shelves that straddle the width. But if one were to say, leave the bathroom closet door unlatched, there’s room enough for a burrowing duo of determined, troublemaking doggies.

On this stormy eve, as if ripped from an Edgar Allen Poe scene, I returned home to gruesome carnage. I entered through the kitchen and saw the red metal garbage can, slammed several feet distant into the front hall entrance – broken and twisted. Coffee grounds and stale beet juice remnants were smeared across three different rooms looking eerily like human waste and blood. Already horrified (by sight, smell and the knowledge that I’d be cleaning this mess) and unable to locate Jude and Meko, I ran toward the bathroom.

Sure enough, the closet door was open. I could see through it to the dramatically overturned laundry baskets that had been stacked against the french doors. Clean and dirty linens flung about the room in a tornado of chaos. Meko, the massacre’s ringleader, had burst through the blockade in a mad fit of rain distress, the sartorial fortress intended to add another layer between dog and cat food. Jude crept behind in her wake – the shameless scavenger. I’m not svelte enough to scrape through the passage, so I headed to the hallway to enter the second bedroom.

What greets me? The sight of two calm, satiated dogs leisurely relaxing on the floor, adjacent to a non-plussed feline covered in socks. Dino’s food (and water) of course long gone. I was furious. Dino looked at me with betrayed, accusing, hungry eyes (without the joy of the classic Eric Carmen tune).

But here’s where unmitigated gall surpassed credulity. Both pups had the nerve to look at me with innocent joy, I dare say relief, that someone they love came to the rescue. For as doggedly determined (pun intended) as they are to reach a goal, they’ve never figured out they need to retreat the way they invaded. Obedience school should teach the domestic harmony of covering crimes more intelligently.

Jude was so eager to run from a self-inflicted prison that he took off from his resting place like a shot, stepping on my bare right foot with untrimmed claws, cutting the big toe at the nailbed. Tons of delicate blood.

When Bob came home, I was in a fully outraged stir. Bandaged and 30 minutes into cleaning, straightening, and refreshing Dino’s food, I couldn’t wait to tell him what “his dogs” had done.

But as I started spinning my yarn (and you know? I do that), the body and spirit rejected righteous indignation. I reached the part of the story where Jude sliced my toe in haste to leave the scene, complete lack of guilt about his mien. I started laughing so hard I had no option but to let go. In anarchy, there is often delicious, humorous harmony. Bob labeled Meko’s destructive, trash and laundry-scattering fit, not an emulation of the Incredible Hulk, but rather a special Meko-brand Smash.

We giggled. Bob devised fake apologies and voices for the dogs, issuing long-winded regrets about our cheap, parental taste in cat food. He also created a bit involving an affronted Dino, shaking an elderly paw at the damned kids (middle-aged dogs) on his lawn. Then we laughed some more, toasted the silliness and wondered how we entertained ourselves before we became a family of five. A happy, messy menagerie.

Liberal Media Bias, Huh? Obama’s Common Sense, Successful Federal Inmate Release Ignored

Obama

“I’ve been fortunate enough to earn a journalist’s pulpit, and I’m going to use it to practice what I’m preaching to the dysfunctional members of the ‘liberal’ media. Be braver than this. Say ‘Thanks, Obama!’ for enacting a policy shift that this time, disproportionately and positively affects people of color. And do it without the fear and cynicism.”

Read the full post on the Contemptor website.

Hershey Felder as Irving Berlin

FelderSeveral years ago, I had the first opportunity to appreciate the talents of Hershey Felder in his successful one-man show “George Gershwin Alone.” At the time I noted Felder’s gifts for dramatic storytelling, musical diversity and light comedy. They are too considerable to overlook.

However I don’t think it was until this week, during the Midwest press premiere of his latest success, “Hershey Felder as Irving Berlin,” that I fully appreciated the artist as historian and archivist, as playwright, as versatile mimic. He owns the work completely. In the press materials distributed with my ticket, there are exactly two individuals credited with every nuance of the production: Director Trevor Hay (who previously collaborated with Felder on the Gershwin piece) and Felder himself. It is extremely rare to encounter a work of art so dependent on the vision and diversity of so few.

And “Hershey Felder as Irving Berlin” is beautiful, biographical art that requires the intimacy of stage to fully deliver on its subtle force. Felder is note perfect (in every sense) as “America’s composer” in a medium he has mastered. He knows how to work an audience familiar with Berlin’s iconic canon, hits such as the rollicking “There’s No Business Like Show Business.” Like the masters he inhabits, Felder needs no side man.

Using Berlin’s long 101-year life and career as a natural structure, Felder becomes the man born in 1888 Belarus as Israel Isidore Baline. Fleeing Jewish persecution in the region, Berlin’s family emigrated to New York City in 1903. After the death of his father at the age of 13, Berlin took to the streets, selling newspapers and quite literally, singing for his supper. The young busker was ahead of his time in understanding an audience’s short attention span, and developed a precocious talent for catchy refrains, puns and lightly ribald riffs. A star was born, as is often the historical case, of want, poverty and nothing to lose.

With a 90-minute running time, Felder thoughtfully and carefully covers a number of highlights from a musical career marked by breathtaking proliferation. Of Berlin’s 232 top-ten hits and 25 number one songs, audiences can’t fail to tap their toes to “Puttin’ on the Ritz,” or feel the misty emotion of standards like “Always” and “White Christmas.”

On the subject of Christmas Felder, like his source of inspiration, displays a canny sense of marketing and timing. Originally the artist’s “I Found My Horn” was slated to run at the Royal George Theatre during the booking dates occupied by “Hershey Felder as Irving Berlin.” However, sensing a unique and fitting opportunity to feature the work of an immigrant Jew who loved his adopted country and the holiday season, Felder made the programming change in mid-September. “I Found My Horn” will now make its debut next spring.

I commend Felder’s decision. As we took our seats, my companion for the evening remarked that given the recent shortening of days and advent of November, she hoped the performance would inspire the holiday spirit. I can confirm that we both thrilled at the production’s use of audio visual, which put Bing Crosby in the room for a few bars of “White Christmas.” It doesn’t get any more seasonally festive than that. The show’s flexible set also features a beautifully lit tree figuring in a number of the musical performances, as well as the stories of Berlin’s family life and long marriage to second wife Ellin Mackay.

The production’s press materials quote Jerome Kern, another iconic musical composer, as saying, “Irving Berlin has no place in American music — he is American music.” The same must be said of Felder. He’s in possession of rare talent for resurrecting the ghosts of our cultural past, breathing new life and relevancy into them, while stamping his own prodigious imprint. Berlin may have been a genius but I doubt he could have pulled off such a hilarious imitation of Ethel Merman, before pivoting to a heartbreaking chronicle of elderly widowerhood. The ability to evoke laughter and tears with equal, rapid effect should never be taken for granted.

It turns out for this critic, Hershey Felder, like the legends who inspire his work, grows more satisfying with each return experience. I’m already bugging my editor to assign me “I Found My Horn.”

“Hershey Felder as Irving Berlin” runs through Dec. 6 at the Royal George Theatre, 1641 N. Halsted, Chicago, IL. For info or tickets, call 312-988-9000 or visit the Royal George Theatre website.

Champaign Dreams and Resolution Wishes

map_of_champaign_il

To say that I did not enjoy my undergraduate college experience is a huge understatement. When I was working with my therapist, Dr. T, I referred to September 1996 – August 2000 as “the lost years.” Ones full of missed opportunity, regret and dangerous behavior.

There are many reasons for the crushing depression that overtook me as a young adult attending classes (sometimes) at the University of Illinois at Urbana-Champaign. For the sake of brevity, I’ll mention two. I’d spent most of my childhood in a constant state of distress and/or high alert. I had precious little time to process the abusive, neglectful upbringing I’d experienced and frankly, I’m not sure I could have survived long enough to actually leave home if I’d stopped to let it wash over me. But when I found myself dropped in the middle of corn fields and farms, a quiet place where there were few immediately threatening distractions, I came silently unglued.

At the same time, I severely underestimated the climate shift from pulsing, vibrant, stimuli everywhere you turn Chicago, to the slower, muted lifestyle of Central Illinois. I didn’t know enough to predict the tremendously negative impact this would have on my energy and intellectual curiosity, though in retrospect of course it couldn’t have been any other way. I recently watched an episode of Sex and the City. The protagonist Carrie Bradshaw finished a conversation with a handsome sailor, and then observed in voiceover: “If Louis was right, and you only get one great love…New York may just be mine.” I feel the same way about the Windy City. It fascinates, frustrates, challenges and beckons me. I am Chicago and Chicago is me.

So there I was in Urbana/Champaign gaining weight, phoning in my English Literature degree with Psychology minor (with a complete and ironic lack of self-awareness), drinking, taking drugs, hanging out with townies. I can admit now to a disgustingly passive death wish, but what bugs me the most about it is not the risky conduct itself. Risk I can do – always have in some form.

It’s the indifference, the lack of agency with which I dithered. It’s not who I am. I utterly, completely lost myself on the flat plains of the Midwest. I didn’t care about much. I’ve learned to forgive myself for most of it because I clearly had issues to work through and didn’t know any other way to cope. But still – sometimes it gnaws. The “best” years of my life flushed away with little to show for it except a degree I know I didn’t really earn.

I’ve spent 15 years pulling myself together and today, I’m rather proud of the life I’ve built. I have a talent (words) and I make a diverse, fulfilling career of it. I am healthier – mentally and physically – after many, many hours spent in individual and group therapy. The volatile, unstable parents are out of the way for good and amazingly, my sister and I came away from the experience holding hands in unshakeable solidarity. I live in a good home full of adorable animals and the perfect partner. I have a large network of talented, supportive friends.

And yet…

In my dreams, sometimes I still go back to Champaign.

It’s a few days before graduation and I haven’t completed a class. I won’t receive my diploma. And then they’ll come for the Master’s degree I earned (the right way) from Northeastern. I can’t have the latter without the former.

My father is badgering me for money and he’s in pursuit as I run through a monstrous, Gotham-like version of Campustown.

Bob doesn’t love me anymore. He’s leaving, and he’s driven us down to Urbana to break the news, leaving me behind in an empty dormitory.

I still grapple with nightmares. And they often occur within the context of four years a part of me will always want back up and redo.

In late April, Bob I went to Urbana-Champaign for the weekend. He ran a marathon and I wanted to support him, despite my trepidation. The experience was positive and cleansing in a number of ways, but most importantly for me, I no longer recognized the place that has been demonized by my subconscious. Like so many of my beloved Chicago neighborhoods, the towns have experienced the frenzied build of gentrification. Where once stood empty cow pastures near Memorial Stadium, there’s now a Houlihan’s restaurant attached to a large hotel. I also spent the time engaged in healthy activities utterly foreign to the emotionally stunted self of the late 1990s – writing, running a 5k, and notably, in the company of a man who has earned my complete trust and confidence.

The frequency of the dreams lessened afterward.

Tomorrow morning, Bob and I will pack the car, drop the dogs off at Grandma and Grandpa’s house (Bob’s parents) and make our way to Central Illinois once more. His friend’s wedding will take place at beautiful Allerton Park outside Champaign. Bob bought a new suit, I’m bringing my favorite gown and I already know we’ll have a splendid time. We always do. With every healthy return visit to a patch of earth so pregnant with personal trauma, the demons incrementally recede.

I expect to sleep soundly.

The Unasked GOP Debate Question: Will Someone, Anyone, Please Drop Out of This Race?

Contempt

“So many questions in the aftermath of an ongoing exercise in excruciating national embarrassment. But the most important one remains unanswered today. With 14 candidates left in the field and the actual primaries just a couple months away, is anyone going to make like Scott Walker and go back to screwing up his or her regular day job?”

Read the full post on the Contemptor website.