Dogs & Cats, Living Together! Mass Hysteria!

Meko and Jude

This evening, during our regular constitutional with the dogs, Bob told me that Jude ate some random, discarded alley bread in the morning. Worse, it was the bleached white variety devoid of any nutrition or flavor. When they returned home, Jude made a beeline for the toilet in order to rinse his verboten snack down with some refreshing tank juice. An eight year-old, 65-pound Australian Shepherd/Rottweiler swarmed with affection, high quality food, medical care and fabulous designer dishes has the culinary inclinations of a starved Depression-era chain ganger. Bob and I imagined him a prisoner/bootlegger, using his white bread and john water to ferment jailhouse gin.

This is Jude.

In June, shortly after Bob and I began co-habitating, I came home to a household of three pets for one of the first times. Dino, my fluffy, four-pound, 16 year-old ball of kitty might, is renowned throughout the blogosphere. I’ve written about our relationship for some years. But life progresses unpredictably, and a woman never considered a dog person suddenly found herself eagerly learning the quirks and schedules of two new, very large babies. I met Bob one cold February night and that was it. My heart stretched to fit the exact dimensions of this motley crew.

I returned home that rainy June evening to Dino, Jude and our 10.5 year-old German Shepherd/Rottweiler mix, Meko. When Bob rescued her at age six, she had the longer name Kameko. Bob, ever the enemy of needless syllables, shortened the moniker. It fits. She’s a no-frills gal. I swear she even looks like a Meko.

Anyway Meko has been, as they say in the adoption world, “re-homed” twice. Bob is at least her third daddy. We’ll never know her complete history. But we’re certain that she’s very much afraid of storms. Not when she has the chance to run around in one in the yard, mind you. Fear of proximity would make entirely too much sense and dogs don’t operate on logic. Instead Meko cowers from tempests – but only when indoors. Actually no, cowers is absolutely the wrong word. More like she goes WWE on our garbage cans and rugs, tearing up the recyclable shopping bags with her considerable 70-pound fangs.

This is Meko.

So that June evening. It was raining rather intensely in the Chicago way, with lots of spring lightening and gusty wind. I walked home from the train after work as fast as I could, expecting to encounter one of two typical scenarios – a peed upon bath mat or golden showered doggie bed. Thankfully we have access to a large washing machine. But this was no rehearsed production. My adopted darling canines had much more in store for the new mom.

By workday because he is a grazer, tiny and both rescue dogs were ill-fed in their past lives (Bob adopted Jude at one, but the poor fella still has a strong aversion to old men bearing canes or umbrellas – sad and enduring), Dino is sequestered with his food, litter box, heating pad, kitty condo and water in our second bedroom. There’s a window facing East and the little bambino likes watching the sun rise.

One may access this room in two ways: a conventional door off a long hallway, or from a bathroom closet that hangs a sharp left into the back of the bedroom’s laundry space. No human being over the age of six can fit through the latter entrance, owing to the built-in (backless) shelves that straddle the width. But if one were to say, leave the bathroom closet door unlatched, there’s room enough for a burrowing duo of determined, troublemaking doggies.

On this stormy eve, as if ripped from an Edgar Allen Poe scene, I returned home to gruesome carnage. I entered through the kitchen and saw the red metal garbage can, slammed several feet distant into the front hall entrance – broken and twisted. Coffee grounds and stale beet juice remnants were smeared across three different rooms looking eerily like human waste and blood. Already horrified (by sight, smell and the knowledge that I’d be cleaning this mess) and unable to locate Jude and Meko, I ran toward the bathroom.

Sure enough, the closet door was open. I could see through it to the dramatically overturned laundry baskets that had been stacked against the french doors. Clean and dirty linens flung about the room in a tornado of chaos. Meko, the massacre’s ringleader, had burst through the blockade in a mad fit of rain distress, the sartorial fortress intended to add another layer between dog and cat food. Jude crept behind in her wake – the shameless scavenger. I’m not svelte enough to scrape through the passage, so I headed to the hallway to enter the second bedroom.

What greets me? The sight of two calm, satiated dogs leisurely relaxing on the floor, adjacent to a non-plussed feline covered in socks. Dino’s food (and water) of course long gone. I was furious. Dino looked at me with betrayed, accusing, hungry eyes (without the joy of the classic Eric Carmen tune).

But here’s where unmitigated gall surpassed credulity. Both pups had the nerve to look at me with innocent joy, I dare say relief, that someone they love came to the rescue. For as doggedly determined (pun intended) as they are to reach a goal, they’ve never figured out they need to retreat the way they invaded. Obedience school should teach the domestic harmony of covering crimes more intelligently.

Jude was so eager to run from a self-inflicted prison that he took off from his resting place like a shot, stepping on my bare right foot with untrimmed claws, cutting the big toe at the nailbed. Tons of delicate blood.

When Bob came home, I was in a fully outraged stir. Bandaged and 30 minutes into cleaning, straightening, and refreshing Dino’s food, I couldn’t wait to tell him what “his dogs” had done.

But as I started spinning my yarn (and you know? I do that), the body and spirit rejected righteous indignation. I reached the part of the story where Jude sliced my toe in haste to leave the scene, complete lack of guilt about his mien. I started laughing so hard I had no option but to let go. In anarchy, there is often delicious, humorous harmony. Bob labeled Meko’s destructive, trash and laundry-scattering fit, not an emulation of the Incredible Hulk, but rather a special Meko-brand Smash.

We giggled. Bob devised fake apologies and voices for the dogs, issuing long-winded regrets about our cheap, parental taste in cat food. He also created a bit involving an affronted Dino, shaking an elderly paw at the damned kids (middle-aged dogs) on his lawn. Then we laughed some more, toasted the silliness and wondered how we entertained ourselves before we became a family of five. A happy, messy menagerie.

Champaign Dreams and Resolution Wishes

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To say that I did not enjoy my undergraduate college experience is a huge understatement. When I was working with my therapist, Dr. T, I referred to September 1996 – August 2000 as “the lost years.” Ones full of missed opportunity, regret and dangerous behavior.

There are many reasons for the crushing depression that overtook me as a young adult attending classes (sometimes) at the University of Illinois at Urbana-Champaign. For the sake of brevity, I’ll mention two. I’d spent most of my childhood in a constant state of distress and/or high alert. I had precious little time to process the abusive, neglectful upbringing I’d experienced and frankly, I’m not sure I could have survived long enough to actually leave home if I’d stopped to let it wash over me. But when I found myself dropped in the middle of corn fields and farms, a quiet place where there were few immediately threatening distractions, I came silently unglued.

At the same time, I severely underestimated the climate shift from pulsing, vibrant, stimuli everywhere you turn Chicago, to the slower, muted lifestyle of Central Illinois. I didn’t know enough to predict the tremendously negative impact this would have on my energy and intellectual curiosity, though in retrospect of course it couldn’t have been any other way. I recently watched an episode of Sex and the City. The protagonist Carrie Bradshaw finished a conversation with a handsome sailor, and then observed in voiceover: “If Louis was right, and you only get one great love…New York may just be mine.” I feel the same way about the Windy City. It fascinates, frustrates, challenges and beckons me. I am Chicago and Chicago is me.

So there I was in Urbana/Champaign gaining weight, phoning in my English Literature degree with Psychology minor (with a complete and ironic lack of self-awareness), drinking, taking drugs, hanging out with townies. I can admit now to a disgustingly passive death wish, but what bugs me the most about it is not the risky conduct itself. Risk I can do – always have in some form.

It’s the indifference, the lack of agency with which I dithered. It’s not who I am. I utterly, completely lost myself on the flat plains of the Midwest. I didn’t care about much. I’ve learned to forgive myself for most of it because I clearly had issues to work through and didn’t know any other way to cope. But still – sometimes it gnaws. The “best” years of my life flushed away with little to show for it except a degree I know I didn’t really earn.

I’ve spent 15 years pulling myself together and today, I’m rather proud of the life I’ve built. I have a talent (words) and I make a diverse, fulfilling career of it. I am healthier – mentally and physically – after many, many hours spent in individual and group therapy. The volatile, unstable parents are out of the way for good and amazingly, my sister and I came away from the experience holding hands in unshakeable solidarity. I live in a good home full of adorable animals and the perfect partner. I have a large network of talented, supportive friends.

And yet…

In my dreams, sometimes I still go back to Champaign.

It’s a few days before graduation and I haven’t completed a class. I won’t receive my diploma. And then they’ll come for the Master’s degree I earned (the right way) from Northeastern. I can’t have the latter without the former.

My father is badgering me for money and he’s in pursuit as I run through a monstrous, Gotham-like version of Campustown.

Bob doesn’t love me anymore. He’s leaving, and he’s driven us down to Urbana to break the news, leaving me behind in an empty dormitory.

I still grapple with nightmares. And they often occur within the context of four years a part of me will always want back up and redo.

In late April, Bob I went to Urbana-Champaign for the weekend. He ran a marathon and I wanted to support him, despite my trepidation. The experience was positive and cleansing in a number of ways, but most importantly for me, I no longer recognized the place that has been demonized by my subconscious. Like so many of my beloved Chicago neighborhoods, the towns have experienced the frenzied build of gentrification. Where once stood empty cow pastures near Memorial Stadium, there’s now a Houlihan’s restaurant attached to a large hotel. I also spent the time engaged in healthy activities utterly foreign to the emotionally stunted self of the late 1990s – writing, running a 5k, and notably, in the company of a man who has earned my complete trust and confidence.

The frequency of the dreams lessened afterward.

Tomorrow morning, Bob and I will pack the car, drop the dogs off at Grandma and Grandpa’s house (Bob’s parents) and make our way to Central Illinois once more. His friend’s wedding will take place at beautiful Allerton Park outside Champaign. Bob bought a new suit, I’m bringing my favorite gown and I already know we’ll have a splendid time. We always do. With every healthy return visit to a patch of earth so pregnant with personal trauma, the demons incrementally recede.

I expect to sleep soundly.

Guess What Corporate Media? There’s More Than One Gun Lobby Worth Covering

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“Hell yes. The only thing that stops a cynical operation profiting from the death of innocent Americans is a positive operation, sick of the killing and ready to fight for change. Does the media possess the courage to cover the growing chorus of regular Americans calling for it?”

Click here to read the full article on the Contemptor website.

Whining and Wine: Hell is an Address Change

There are two tasks on this planet that make me, as my good friend Beth offers in metaphor, lose my bones. You know when something is so tiresome, boring and awful, you feel like you’re actually turning to jelly and slumping to the floor, as if the cartilage in the body instantaneously decided it can’t offer support against such an onslaught of tedium? For me, the two activities that cause this childish collapse are cooking (or really food preparation in any form) and moving.

I don’t mean literal motion. I mean the act of packing boxes, renting a U-Haul, filing address changes with government entities and other places with which one does business, cancelling the cable service. Under the most pleasant of circumstances, like the present set, the arduous work of changing homes is joyless. It’s time, often lots of it, spent doing something dammit, that should be simple. Time I’ll never get back. Each time I relocate, I swear it will be the last. And how the hell did I accumulate so much stuff anyway!?

When Bob and I started dating in February, it didn’t take long for either of us to understand that this is it. At some quick point we verbalized our mutual, peaceful satisfaction with each other. We’re off the market. It’s a wonderful, surprising certainty heretofore totally alien. I am a writer. We thrive on gray areas. It’s where we live and obsess. Great, painful products result. With Bob, I get the great without the painful. Huh. But this revelation came at an awkward winter housing moment. We were in love but so new. And then a renewal for my current lease arrived. I signed it. It seemed too soon to talk cohabitation.

By early May, I had my own set of keys to Bob’s condo and wasn’t going “home” (already the word was dissociating from my Rogers Park apartment) for more than the feeding and maintenance of Dino. To grab a few things that I needed in the love nest.

In early June, Dino relocated entirely. The act was infused with more than the simple transplant of an old, four-pound ball of fluff. Dino is my baby, at the time my only furry boo. We had a full, independent life before we met Bob. We were the dynamic duo that ate cheese in bed together. We couldn’t imagine a reason to improve upon perfection. We didn’t know we could have more than enough. So when Dino was released from his cat carrier into a new environment, with a warm man to cuddle and canine siblings to tease, I knew we’d reached a tipping point. The five of us were all in.

One thing you have to know about Bob. He’s quiet but that should never be mistaken for weakness or lacking in passion. Others have made that error at their own expense. His is one of the strongest personalities I’ve known. It’s part of why I love him. Supportive, solid, funny – without the noise and drama. Bob doesn’t make more work for anyone – including himself – than is logical. Combine this fluid, yet determined sense of purpose with my innate aversion to drudgery, and it’s probably no surprise to learn that it’s mid-October and I’m still not out of my old place.

I no longer sleep, eat or shower at the bachelorette, beachfront studio that served as a personal healing and growth bunker for four post-divorce years. My mail is forwarded. The furniture has been donated. There’s just boxes of memories left. I have no emotional attachment to the rooms where I recovered from cervical cancer surgery alone, or responded to knocks on the door from the police after my alcoholic ex came home from another night of binge drinking. The place has been done for me for a long time. And even if I hadn’t met Bob, Dino and I had been inching toward a fresh environmental beginning. Maybe it’s because of the literal and metaphorical baggage of the place, compared with the light warmth of our new home with Bob, Meko and Jude, that returning there to retrieve my photos, yearbooks, awards and trinkets feels so passé, a trip to another era that I am ok with leaving in the past.

But it’s increasingly clear, in the best, most comforting way that it’s time to bring this business to an end. The only sensation to rival my distaste for cooking and moving is an absolute hatred of loose ends. Bob and I (it’s all “we” now) are spending money on two homes. In increments we have merged our utility and grocery expenses, but the waste involved in delaying a complete domestic unification grows more oppressive. It’s not even something we have to discuss. It hums between us, a frequency that speaks: “I’m with you. There’s nowhere else I can be. Nowhere else I’d want to go.”

So tomorrow morning, we’re finishing what we didn’t realize we were starting in February. The natural second and final act – living together contentedly until death does us part. I will whine, rush and verbalize my displeasure with every second of the work. Bob will shift into focused task mode, silently doing the heavy lifting, pausing only to give me a kiss or ask what to do next. His legs will grow sore from all the trips up and down both sets of third-floor walkup stairs, but he’ll never complain once. That won’t stop him from smiling when I do – profusely. Then we’ll look at all the boxes in our living room, open a bottle of wine and I’ll be home. Never to move again.

Love and Information

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Toward the middle of Caryl Churchill’s “Love and Information,” the 19th season opener for Remy Bumppo Theatre Company, a woman who is either hearing impaired, or attempting to communicate with someone who cannot hear, carries a box of Whitman Sampler chocolates. As she runs through the ASL gestures for “I love you,” actress and Bumppo Artistic Associate Linda Gillum pleads with her eyes. Understand me. It’s a lovely scene.

The Whitman’s Sampler is a handy metaphor for the play as a whole, another piece of fresh, interesting work from one of the best mid-size theater operations in Chicago. Directed by Shawn Douglass, the production is a study, per press materials, of “the ways in which the desire for information both distances and unites us.”

Douglass leverages a flawless cast of 10 to slip into the skin of 125 characters, each one part of a vignette that underscores the myriad ways in which knowing and not knowing cause pain and pleasure in human relationships. This might sound quite busy, and indeed Theater 3 at the Greenhouse Theater Center is hardly cavernous. Yet toward the end of the production’s opening night, I found myself comparing it with the recent Broadway in Chicago mounting of “Dirty Dancing – the Classic Story on Stage.”

That big budget effort was an awkward, vertigo-inducing attempt to leave out nothing at all from the beloved film that serves as its base. It just didn’t work. “Love and Information” has arguably more scenes than any stage production I’ve ever audited and yet, it’s a bullseye. Why is that? Because of the oh so light touch, the lack of wink-wink knowingness, the sheer poetry of the source material. A Whitman’s Sampler replaced with the finest, most delicate truffles.

Remy Bumppo’s Producing Artistic Director Nick Sandys observes of the play, “There are no settings, speech headings, or character descriptions in the text. All of those decisions… must come from the director and the design team.” And what a wonderful bunch of arrangements Douglass and his staff have made. It doesn’t hurt one iota that he’s assembled a beautiful cast with the ability to, quite literally, become different people in the blink of an eye. And we believe it.

In addition to Gillum’s work, which I have enjoyed across several seasons of Bumppo theater, I can’t say enough about the talents of yet another Artistic Associate, David Darlow. To watch him move through “Love and Information” is to laugh, have your heart broken, to feel everything in the course of the production’s one hour, 40-minute run time. Although he just one man in an immensely capable ensemble, it’s hard to move your eyes away when he’s on stage. Totally vulnerable yet commanding — the Darlow brand.

This show is different. Fans of linear plot, of context, of narrative arc might find themselves frustrated. I urge these theatergoers to try to get past it. As Sandys suggested before the first curtain rise, “take the ride.” Although one might not connect with every scene, you’ll find yourself nodding your head in silent agreement often. Who among us hasn’t been on the receiving end of pleas from a loved one — share with me, open yourself to me — only to feel the sting of rejection and regret when that data proved to be more than the listener really wanted?

If I have any quibble with the production, it’s this: that one hour, 40-minute running time has no intermission. While I completely understand the decision not to interrupt the “story,” the theater does serve beverages. Make sure you’ve visited the restroom before the curtain rises.

But really, that’s all I’ve got for criticism. “Love and Information” is another Remy Bumppo winner.

“Love and Information” runs through November 1 at the Greenhouse Theater Center, 2257 N Lincoln Avenue, Chicago, IL. For information or tickets, call 773-404-7336 or visit the Remy Bumppo website.