“In 2000, the United States had not felt the full pain of NAFTA and its crippling of the blue collar workforce. We had yet to experience the 9/11 terrorist attacks, the dot com bust, a housing market implosion and an ensuing, not coincidental spike in opioid addiction that followed these events.
By 2008, we had waved goodbye to Clinton’s budget surpluses, years of relative international peace and the promise of economic stability for those willing to work hard and pay their union dues. The methodical union busting that swept through American industries following NAFTA’s passage drives much of the action in Ms. Nottage’s electric script.
Veteran Ron OJ Parsons returns to direct Goodman Theatre’s rendering of Sweat. The story examines the lives of two generations of friends in a Pennsylvanian Rust Belt town just before, during and after everything about the community’s economic rubric changes. Where generations of residents once moved from high school graduation to factory floor, guaranteeing good wages, a pension and ability to provide for their families, NATFA demanded the acceptance of a new paradigm. Relocated production and the undercutting of worker bargaining which had driven the expansion of the middle class since the end of World War II became the new normal. Opportunities and bank accounts shrank while the temptation to scapegoat “others” (typically immigrants and Americans with brown skin) proved irresistible.”