Miracle

The cast of ‘Miracle.’ at The Royal George Theater. (Photo: Michael Brosilow)

“The Lovable Losers finally ended the sports world’s longest winless streak in 2016 with a long-dreamed-but-never-realized-by-anyone-living World Series trophy. And because nothing about being a Cubs fan is ever easy, the team put its global legion of diehards on an epic, seven-game emotional roller coaster ride that ended in joyous shock, disbelief, and exhausted euphoria. The extra bleary kind that only arrives at 1 a.m., after 108 years of waiting ‘til next year.

The real-life story — from Tinkers to Evers to Chance, to 1945, to the Curse of the Billy Goat, through 1969, 1984 and 2003, and until mercifully, 2016 — is one made for soaring opera: the tears of relief shed by fans old and young, for themselves and for the true believers long departed; the parade that welcomed millions of revelers to downtown Chicago on an unseasonably warm November day that seemed heaven-ordained. There’s so much material and possibility for bringing recent history to vivid narrative life.

Instead, the Royal George offers audiences thirsty to relive the impossible, a pedestrian, disappointing trifle. Miracle, with a book by Jason Brett (co-founder of Chicago’s Apollo Theater), and music and lyrics by Jeff Award-winner Michael Mahler (Buddy: The Buddy Holly Story), makes a few stirring emotional connections. But the production ultimately strikes out by engaging in too much Disneyfication and deus ex machina. The result makes for a bland if well-sung production that perversely siphons away the emotional heft of those fateful events in November 2016.”

Read the full post at The Broadway Blog.

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