We Are Pussy Riot (Or) Everything is P.R.

(l to r) from left) Alec Phan, Jalyn Greene, Casey Chapman, Stephanie Shum, Emily Nichelson in ‘We Are Pussy Riot (or) Everything is P.R.’ (Photo: Austin Oie)

“By 2012, an institutionally empowered Putin (played here by Red Tape’s Marketing Director, Casey Chapman) was no stranger to taking political prisoners. The Commission on Security and Cooperation in Europe, an independent commission of the U.S. Federal Government, publishes a short list of people believed to be jailed for political reasons in Russia today. However, most of these incidents failed to garner the international attention that Pussy Riot captured, turning the ‘band’ into a political lightning rod as well as a mass-consumed piece of performance art.

Why, exactly? The play offers a few surface hypotheses (the camera-ready nature of Pussy Riot’s female rebels, renewed distrust between East and West), but isn’t here to soberly judge history. Its mission is to loudly capture the unifying, energizing spirit of mutiny.

We Are Pussy Riot (or) Everything is P.R. does a commendable job of evoking and corralling the chaos. Director Kate Hendrickson untethers her skilled, diverse cast to utilize every inch of space, as well as every body movement and vocal sound to tell a universal story of civilian pushback against Putin’s bizarre interpretation of the nanny/police state. The work offers high-decibel music, mass digital and traditional media, sketch comedy and more than anything, a love letter to the power of the proletariat.”

Read the full review on The Broadway Blog.

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