“To explore these questions, Kaufman and the Tectonic Theater Project made a series of visits to Laramie to conduct an extensive series of interviews with residents of the shaken town. It is to the writers’ collective credit that a tapestry of perspectives is recorded and shared. There are those who empathize with Matthew and his grieving family but dodge behind scripture and small-town convention to victim shame Shepard, avoiding an actual reckoning with the unspeakable crime. The murderers, Aaron McKinney and Russell Henderson, are held up by this crowd as aberrations, deviants—like Shepard himself.
But there are other stories, stories of revelation and personal growth. The white, middle-aged male homicide detective who sees Matthew’s broken body, consoles his devastated parents and decides that homophobia is as dangerous and out of place as a loaded canon. The Catholic priest who concludes that he doesn’t need a Bishop’s blessing or the Bible’s permission to organize a candlelight vigil or publicly condemn the student’s killers. The cautious lesbian academic who becomes more doggedly determined to live her truth, even at the potential risk of her personal safety.
The voices, vignettes and names onstage rotate frequently, embodied by a chameleon-like cast of 12 talented performers.”