Joe Biden Is Not What America Needs: Frustrations From A Long-Time Fan

“In recent years, Presidential Medal of Freedom winner Joe Biden found his lane. He excelled as Barack Obama’s wingman, and their productive rapport and friendship launched a thousand memes. He became America’s plain-spoken grandfather. And we all mourned with his family when 46 year-old son and former Delaware Attorney General Beau, died of brain cancer in 2015. Joe Biden outlasted the train wrecks that were his failed presidential campaigns, rebuilt the respectability of the Vice President role (after the mercurial and cruel Dick Cheney tore it to shreds) and left the White House with a 56 percent favorability rating. That should have been enough for one public lifetime.

But it wasn’t and so Joe Biden is one of 21 candidates comprising the 2020 Democratic field. At 76 years old, he is relic from another time of perceived bipartisan cooperation, of white male backroom collaboration. It is unfailingly clear to many that Biden is ill-prepared to lead a new America where Black Lives Matter and the #MeToo movement has unleashed centuries of repressed victimization into empowering, female action and leadership.”

Read the full post at Contemptor.

Trump’s Right Wing Media Enablers Ignore Hasson and the Growing White Nationalism Crisis

“Hasson is a 49 year-old white man, therefore he was probably “economically insecure,” intimidated by globalization and unsure how to approach women in the aftermath of the #MeToo movement. The world has browned before his very eyes. If only Democrats could figure out a better narrative, a more approachable way to speak to voters like Hasson, well then maybe we could all live more peacefully.

It’s not an important story. Hasson was stopped before he hurt anyone, right? It would be journalistic malpractice if the case were used to foster a real public discussion about systemic racism, the proliferation of easy weapons within our borders and the violence-inciting rhetoric vomited up by the President of the United States on the hour. Make it go away and focus on the GAY BLACK MAN guilty of fraud and manipulation. An easy target made that much richer by his own shameful behavior.

Time has found a weird way of speeding up in the Trump era. The calumny and disgrace comes at us in chunks of corrosion so quickly and damaging to our country and culture, we can hardly keep up. A week of rapid-fire scandal feels like a lifetime. And in short order, we’ll forget about Jussie Smollett as we should. His story is not part of a larger epidemic. It’s the one-off curiosity of a selfish, lying fame seeker.

Hasson’s story however, is bigger than one white man larded up with weapons and self-righteous anger. His arrest marks the fifth domestic terrorist plot interrupted during the Trump administration. Two years, five Caucasian male ISIS and Nazi sympathizers empowered by the Racist-in-Chief. That should be the headline.”

Read the full post at Contemptor.

Google Announces Firing of 48 Serial Harassers…Good for Them?

“In 2018 America, utter disregard for women, their stories and their bodies starts at the top. This week, we learned that one of our country’s most powerful and influential global companies has taken steps to eradicate workplace harassment, with a clear if unspoken demand that we pat leadership on the back for its forward thinking.

On Thursday, reports emerged that Google fired 48 employees over a two-year period for sexual misconduct. Great news, right? The company sure seems to think so. Note the overt self-congratulation in an internal email sent to global staff:

‘In recent years, we’ve made a number of changes, including taking an increasingly hard line on inappropriate conduct by people in positions of authority.’

As a woman, a corporate worker and a thinking person, I’m not sure how I’m supposed to feel about this news, though Google would clearly appreciate my gender giving thanks for its wokeness.”

Read the full post at Contemptor.

Susan Collins Shows Cynical, Female Face of Patriarchy

“This is the second time that Baby Boomer and Generation X women have watched an articulate, brave and credible professional humiliated and dismissed by the men in the Senate Chamber. Anita Hill has been a rallying cry for feminists in search of equality and fair representation since 1991. Now Dr. Christine Blasey Ford’s is another name we shall never forget.

But you know what hurts the most, as a voting American woman acutely repulsed by the Senate’s codification of a man’s right to take what he wants (and can get) on his uninterrupted march to the top? Though much of this scenario has felt similar to the events of 27 years ago, it is in fact the first time that a woman, a particular Senator, Maine’s Susan Collins, handed the judgement of another over to her male colleagues. And in so doing, she has reaffirmed the sneering dismissal of sexual violence allegations and the real pain behind the “#MeToo movement. She has communicated that the violation of a woman’s body is a normalized act of juvenile sport, rather than a disqualifying leadership behavior. And with her vote, Collins has also left settled law and precedent regarding a woman’s right to choose open for re-litigation.”

Read the full post at Contemptor.

The Wolves

‘The Wolves’ at Goodman Theatre (Photo: Liz Lauren)

“Sometimes a fantastic piece of art is offered at the perfect cultural moment for receiving its honesty, and it amplifies a work that would still be effective in a vacuum. Such is the case with Goodman Theatre’s Chicago premiere of The Wolves from playwright Sarah DeLappe.

#MeToo meets the empowered social consciousness of Generation Z in this 2017 Pulitzer Prize finalist. DeLappe’s work introduces a number of twists to bring freshness to the teen girl coming-of-age comedy-drama. For one, all of the onstage action occurs on a truncated soccer field. Scenic design veteran Collette Pollard, a regular Goodman contributor, should clear space on her mantel come awards season. By the end of the performance, I was ready to fold my program into a Jeff Award and hand it to her. It’s hard to overstate how well the creative team as a whole executes DeLappe’s vision.

The dynamic and diverse cast of 10 young women who make up the players and supporters of a fictional soccer club do so much more than provide an audience with real, accessible and imperfect characters. The Wolves is a literal exercise in personal growth. For 90 minutes, these girls grapple with issues as complex and relevant as racism, eating disorders, death, sexual discovery, menstruation, gender dynamics and more – all while doing calisthenics. It’s like watching old Michael Jackson concert footage – how could he continue singing full-throated AND dance that way?”

Read the full post at The Broadway Blog.