Constellations

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Jessie Fisher (Marianne) and ensemble member Jon Michael Hill (Roland)

When the curtain rose on the press opening of playwright Nick Payne’s “Constellations,” now running at the storied Steppenwolf Theatre in Chicago, I indulged a cynical eye roll. Another meet cute rom com, even if this one features two pulchritudinous Brits (fair or not, dreck is a lot more tolerable when delivered with an English accent)? No. Not at all. The work, written by Nick Payne and directed by Jonathan Berry, is more than another take on “Men Are from Mars, Women Are from Venus,” although there’s plenty of interstellar discussion.

The compact 80-minute production features just two characters, beekeeper Roland (Jon Michael Hill) and theoretical physicist Marianne (Jessie Fisher). They interact on a sparse but novel set that allows the audience to sink into the repetitively rich dialogue. That’s not an oxymoron. Several lines are repeated upwards of 10 times, yet each delivery feels fresh because it is, in fact, something new.

Confused yet? Press materials describe the plot as follows: “Roland and Marianne meet at a party. In that single moment, an unfathomable multitude of possibilities unfold. Their chance meeting might blossom into a meaningful relationship or a brief affair; it might lead to nothing at all.” “Constellations” in fact covers nearly every possible relationship pitfall (infidelity, lies, illness, unrequited devotion) or blessing (proposals, reunions, meaningful conversations with I-Thou transcendence) in rapid fire. And it works. Beautifully.

This owes no small debt to the gifts of the two leads. Hill and Fisher are tremendous. As immersed as I was in the stories of Roland and Marianne, the third wall was broken more than once to marvel at Fisher in particular. The actress’ ability to use her body and cadence to make the same phrase mean completely different things with a microsecond’s transition — stunning.

The intensity of both performances almost leaves one grateful (for the actors’ sake) that the production is brief. They sustain eye contact, move around each other in charged circles and are alternately desperate, overjoyed or bereft. There are few (if any) props. There’s nowhere to hide or take a restorative breath.

Early last week, just two days before the show officially opened, I lost a very close friend, very suddenly. In the midst of an acute grief process, ideas of infinite possibility, of alternate universes where our beloved sick and infirm enjoy happily ever after, are both torturous and becoming. But on whichever end of the misery/jubilation continuum audience members lie, “Constellations” will yield thought and discussion about the almost limitless range of human behavior and emotion.

In times of celebration, healthy egos bask in what feels like inevitable reward, while the more humble marvel at providence and good fortune. In tragedy, some interpret setback as their destiny while others obsess over what might have been done to alter the outcome. “Constellations” has a message for all of these demographics. Every experience is simultaneously pain and pleasure. As the production’s press release suggests, Steppenwolf’s early summer offering explores “a myriad of possible lifetimes… the extraordinary richness of being alive in the universe.”

The production is a cerebral champion. See it.

“Constellations” runs through July 3 at the Steppenwolf Upstairs Theatre, 1650 N Halsted Street, Chicago, IL. For information or tickets, call 312-335-1650 or visit the Steppenwolf Theatre website.

Rebecca Gilman’s Soups, Stews. and Casseroles: 1976

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Cliff Chamberlain as Kim Durst and Ty Olwin as Kyle

The very first production I ever saw and reviewed on behalf of EDGE Media Network was 2009’s “The Crown You’re In With.” Running at Chicago’s legendary Goodman Theatre, the work was my inaugural Rebecca Gilman experience. An artistic associate of the company as well as a member of the vaunted Artistic Collective, Gilman is an original talent with the ability to weave stinging sociopolitical commentary into unapologetically human stories using sharp, witty dialogue.

The Chicago premiere of “Soups, Stews, And Casseroles: 1976” marks the eighth collaboration between Goodman and Gilman, a slate of artistic offerings that also includes “Luna Gale,” winner of the 2016 Los Angeles Drama Critics Circle Award. The newest production bears a hackneyed tagline that belies its intelligence: “Life was sweet in a small Wisconsin town… then corporate America came to the table.” The good news is this marketing sin is entirely forgivable.

Dramatic voiceover trope aside, the destructive themes with which the script grapples are appropriately ominous. Because when the curtain rises on the small-town Wisconsin Durst family, introducing them as completely dependent on the area’s only large employer, Farmstead Cheese Factory, we already know how the story ends. And it’s not happily. “Soups, Stews, and Casseroles: 1976” tells the decimation tale of good working class manufacturing jobs in America over the last 40 years.

Corporate greed, globalization, families without options forced to take “progress” on the chin. Sound familiar? It’s meant to. Artistic Director Robert Falls and playwright Gilman, now collaborating on their fifth Goodman production, have ironically evolved into the well-oiled narrative machine so hated by the fictional Farmstead workers.

Supported by a flawless cast that includes Chicago theater veteran Cliff Chamberlain as Durst family patriarch, Kim, “Soups, Stews and Casseroles: 1976” is almost operatic in its depiction of the slow-motion destruction of an entire way of life. We know from the vantage point of 2016 that working and middle-class families continue to be squeezed by economic changes that began long before the Great Recession.

Gilman uses the hardworking, ambitious Durst family to tell the story of organized labor purposefully busted by the pursuit of greater profit margins. But the finished product is evolved beyond from the ham-fisted propaganda of Upton Sinclair’s “The Jungle.” The Dursts, including Kim’s college dropout wife Kat (Cora Vander Broek) and precocious teen daughter Kelly (the fabulous Lindsay Stock) are fully-formed characters. There have been choices and sacrifices. There are regrets and valid fears for the future. There are complicated dynamics between people who love each other honestly (and dishonestly).

Even the supporting characters avoid one-dimensional stereotype in the capable hands of Gilman and Falls. Elderly socialist neighbor and family friend JoAnne (Ann Whitney) is a surrogate mother to Kat and Kelly, not a precious caricature of Bernie Sanders talking points. And Angela Reed infuses Elaine, the wife of the cheese factory’s new corporate manager, with a loneliness and eagerness to connect with something real that removes some of the venom from her painful choices.

“Soups, Stews, And Casseroles: 1976” captures an elusive moment in time. When exactly did the “American Dream” with its promise of shared success for hard work and loyalty, start to slip away? What could we have done to stop it? While attempting to locate the beginning of the end, Gilman’s script also explores the flaws in armchair quarterbacking.

To watch the emotional, complicated plight of the Durst family is to understand that small moments and decisions have consequences bigger than one nuclear household. Day-to-day survival often requires the conscious suppression of long-term strategy. Americans can’t afford to deliberate when they have to eat. This is no less true in 2016.

In short, we have another Gilman/Goodman winner in town. It’s going to be a busy summer season of quality theater, but this one is a don’t miss.

“Soups, Stews and Casseroles” runs through June 19 at Goodman Theatre, 170 N Dearborn Street, Chicago, IL. For information or tickets, call 312-443-3800 or visit the Goodman Theatre website.

Maddon & Company Embrace Target with Red Hot Memorial Day Winning Streak

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“Holy cow! What a ride we’re enjoying. It seems as if the boys in blue took the pre-season advice of Manager Joe Maddon – and are running all over the competition with it. More than an approach to avoiding the team’s historical arc toward self-destruction, Maddon’s directive to ‘embrace the target,’ has removed the fear of success from a battered organization. And its fan base.”

Read the full post at Wrigleyville Nation.

 

Dear Bernie: Just Go Ahead and Go

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“At this point I’m not sure Sanders or a loud subset of his followers, who sound an awful lot like Trumpists when embracing the GOP’s anti-Hillary Clinton talking points, are actually dealing with the reality facing the American people. A few simple facts are overlooked when the increasingly dysfunctional cult of Bernie expresses its rage, say in Nevada. From any angle – popular vote, pledged delegates, pick your favorite – Hillary is trouncing Bernie. There is no stolen election crime being perpetrated.”

Read the full post at Contemptor.

Remember to Let Him Into Your Heart

Jude

In February, Bob and I were dealt a cruel karmic slap with the loss of two of our three pets in just a few weeks. The concurrent deaths of Dino, the 16 year-old fluffy kitty and Meko, 80 pounds of Rottweiler warrior princess, ripped a hole through our home and our hearts. Wounds from which we’re still recovering.

I can admit now, with some degree of shame, that my own grief had a few additional layers. I’m a caretaker at heart. And Dino and Meko were notoriously needy – Deans with his numerous food and body temperature issues, Meeks destroying the kitchen, bathroom and/or laundry room at the first hint of a thunder storm. She was also truculent at best with other dogs, her attitude not affected whatsoever by the arthritic hips that made her unlikely to win a fight. She just didn’t give a shit. I miss my girl.

The dual loss of those two complex fur babies left a pragmatic vacuum in my world. On his worst day, Bob is more capable than most people. He’s the one who makes things work and keeps them running. In return I silently move the empty beer bottles to the recycling bin and clean the lint trap in the dryer. And while I always loved all three of our pets equally, it took a long time to discover what use, if any, Jude had for me. Bob and the cuddly, drooly Australian shepherd have been together for eight years. They have their routines and language. Bob, the standard bearer for reserve, shoots beams of puppy love from his inner core directly at Jude. It’s the warmest, most adorable light. But it was hard at that time not to feel like an interloper, an intruder into a perfect dynamic.

These feelings became increasingly painful as I struggled with newfound time – time no longer spent cajoling Dino to eat more or playing defense between Meko and every other canine walking the neighborhood. I resented Jude for the change. Throughout his own mourning process, Bob moved closer to Jude, with the confused, lonely dog reciprocating. And I was bitter. I missed my babies and the only one left had a perfect union with my partner from which I felt estranged. Why was he the one that lived?

With the benefit of time and perspective, it’s horrifying to confront the shape into which I allowed grief to contort me, however temporarily. After several weeks of uneven sleep and a waking gnashing of teeth, a simple idea occurred. Perhaps I could actually try getting to know Jude. True we’d been living together in the same menagerie for eight months, but I suddenly saw that I never gave him much thought. In part because of high maintenance devotion to Dino and Meko, and also yes, because of the perfect circle that Bob and Jude formed without me. If my nature is that of a caretaker, it’s also sharing space with an insidious pride. Missing love for fear of rejection.

Once I realized it was stubborn foolishness preventing a closer relationship with Jude, I made an effort to be more hands-on. Yes, he and Bob have their routines but we can have our own. I concede that initial attempts were infused with sad wistfulness. But with dedicated repetition, Jude and I finally got acquainted. The knowledge and understanding is reciprocal. He learned that I don’t like to be leapt upon at walk and dinner times like Daddy does. I figured out that a certain high-pitched whine means a digestive bomb is about to explode. But I still have time to open the back door because Jude hates having accidents in the house. Minus the dog hair and drool, my pup can be kind of fastidious. He is every bit as complex as his siblings were. I just had to look.

There are activities in which I can engage Jude that were not possible with Dino or Meko. Like taking long walks, sometimes three or four miles weaving through the neighborhood streets that are my past, present and future. On Mother’s Day, I awoke in tears, missing my pets more acutely while indulging in an annual bout of self-pity. It’s been well-documented that my own mother’s love was withheld. But it was a beautiful Chicago day and I wanted to treat myself to a positive experience. I decided to take Jude on a trek to see the only apartment building where I remember living a happy, healthy life with my immediate family.

As we made our way to the corner of Byron and Leavitt in North Center, I saw that what had very recently been a solid, well-cared for brick edifice, was now a huge empty lot. For sale. Sun shining, 80s tunes blaring through my headphones, I wanted to sit down and weep. The positive memories of my childhood were literally a crater. But I couldn’t indulge the impulse. I had Jude with me. Instead I leaned forward on the construction fence and placed my forehead on the metal plate, as if to absorb the good times from the vacant ground by osmosis. Jude sat on my feet with his hairy warmth. It was calming. Exactly the anchor needed in an out of control moment.

Our walks are now a regular feature – my activity with Jude. We wander through parks and I let him drink water from my cupped hands. I know to avoid food wrappers and garbage cans as if they are landmines. My spoiled doggie is still a rescue pup at his core. If it has aluminum foil, he’ll eat first and ask questions later. He knows I like a brisk pace and thus he rarely pulls me toward others strolling with their own pets (though we both know he’s dying to sniff their rears). He’s not just Bob’s dog anymore. There was always room for three in the circle. I just had to let myself join.