A Very Bluemel Christmas

Bluemel Christmas

In 2013, my then-25 and 33 year-old paternal cousins, female and male respectively, got into a holiday tiff that devolved into a food fight. My sister’s delicious cupcakes were the weapon of choice as the siblings angrily ground frosting into each other’s skulls. Alcohol may have been involved.

Except for the baked goods, there was only one casualty of the melee – a brand new pair of jeans from The Gap. I was wearing these when I had the misfortune to get caught in their Tasmanian Devil-like cloud of rage. I planted my left foot in order to pivot and move in the opposite direction. Male cousin dropped his considerably larger hoof on top of mine, and as I turned my knee, I heard the sickening tear of denim. In all the confusion, Jenny wasn’t aware until much later that my wardrobe was damaged. I believe her laughter was devoid of sympathy.

Last year, when I was 36, I took a proactive approach to the extended family Christmas. I was dating a 23 year-old gentleman at the time, and though the lark was invigorating and prepped me in many ways for my current relationship, it would be a waste of breath to try having an adult conversation with my uncles. Two of my father’s four brothers have never met a low-hanging joke they didn’t find worthy of repeating – loudly and often. I calculated that if I owned the unusualness of the situation, making a few cracks at my own expense, they’d quickly move on. Huge mistake. The cradle robbing puns flew fast and furiously. I drank at least three bottle of red wine to match the shamed ruddiness of my cheeks before going home to pass out.

Bob and I have been together for a year this coming February, and have cohabitated for almost six months. He has met nearly all of my friends and spent time getting acquainted with immediate family – particularly Jenny, Max and the girls. But somehow we’ve kept missing the Wisconsin contingency.

Although my dad has been out of our lives for some years, his five siblings, many of their children and the smallest generation of Bluemels remain a vibrant, silly support network. I spent too much time nursing anger and resentment at their collective failure to intervene during our childhood crisis years. I know now that my father’s mental illness, combined with my mother’s sociopathology, offered no easy course of action. Everyone did the best they could with their own families to manage. As Jenny and I grew into adults, there seemed to be an unspoken agreement that our presence came first. That we deserved to know it. As my father descended further into madness and strange behavior, extended family gatherings opened wider to my sister and I.

This Friday afternoon, Christmas Day, the private world of love, acceptance and contentment I enjoy with Bob, a world that I have shared with my sibling and her tribe, will finally collide with the extended clan. My partner is a relatively quiet man in a crowded room, and my family is rife with big, noisy personalities. I wasn’t grown in a cabbage patch, you know? The volume and verbosity run through the blood. There was a period this year when I wondered if Bob would be overwhelmed by the meeting.

Somehow Bob never seems to tire of me – my voice, rebellious and open approach to life, wild ideas, ambition, clumsiness, aversion to food preparation. A couple of months ago, after we drank way too much free hooch at the open bar of a friend’s wedding, he leaned over and whispered in my ear: “I’ll miss you when you’re gone.” I found that a rather fatalist remark on an otherwise fun evening and pressed him to explain. Because for me this is forever.

My boyfriend intoxicatedly clarified that “when” meant any future moment when I’m not at his side – like on a bathroom break. I’m with someone who wants me around. The inner child with abandonment issues revels in that certainty like a warm pair of sheets fresh from the dryer.

So I’m not worried about Christmas. Bob loves beer and sports – two perennially popular topics at the holiday dinner table. And there’s always the unity offered by taking the piss out of me. Although I haven’t always enjoyed the thought, the Bluemels are a huge piece of who I am. And for the first time in a romantic relationship, there are no parts I wish to hide from my significant other. There’s nothing I fear losing.

Bob will listen and observe, answer questions when asked and I suspect he’ll find a soft spot for my uncles’ one-liners. He’s no stranger to corny, terrible puns. But if he finds a new pair of jeans under the tree Christmas morning, he’s been advised to leave them at home.

DNC and Debbie Wasserman Schultz Give Ambivalent Clintonites the Holiday Bern

Debbie

“By the time the DNC suspended the Sanders campaign’s access to a voter data system the day before the third debate, and just six weeks before primaries begin, only the most stubbornly naïve Clintonite could dismiss reality. The DNC deck has been corruptly shuffled in Hillary’s favor. Many are calling for Wasserman Schultz’s resignation. This disgrace is more than just unbecoming of party leadership that purports to represent inclusive ideals. It’s an unforced error, creating an ugly holiday scandal when loyal Democrats should be enjoying a season of calm. Has party leadership watched or listened to the opposition lately?”

Read the full post at Contemptor.

 

This Holiday Season, Spring Comes Early for Chicago Cub Fans

Cubs

“It’s a season of comfort and unreserved giving for Cubs fans. At the time of this post, the thermometer registers an unseasonably terrific 59 degrees Fahrenheit – two days before Christmas. Throw in intermittent pouring rain and if one closes their eyes to the encroaching late afternoon darkness, it feels an awful lot like spring.”

Read the full post at Wrigleyville Nation.

He’ll Be Back: Antonin Scalia’s 2016 SCOTUS Racism Could Be Record Setting

scalia

“There are a number of important cases to be decided by the court in 2016 in addition to Fisher v. University of Texas at Austin. Issues regarding legislative gerrymandering, collective bargaining and capital punishment are among a series of bellwether determinations before the justices. Given Scalia’s continually vocal opposition to leveling the playing field according to true democratic principles, we can probably expect him to come down on the wrong moral side of each decision.

Enjoy the judicial-free calm before the winter storm.”

Read the full post at Contemptor.

Baritones Unbound

 

Marc Kudisch, Nathan Gunn and Mark Delavan
Marc Kudisch, Nathan Gunn and Mark Delavan

For the theater critic as well as the general fan, three expectations are associated with a production bearing the label, “Hershey Felder Presents.” Beautiful music, a solid history lesson and the weave of these two elements into an engaging story — that’s the Felder brand. And in bestowing his signature blessing on “Baritones Unbound,” another worthy show enters the already competitive Chicago holiday theater market.

Conceived and written by three-time Tony Award nominee Marc Kudisch, who also performs in the production, “Baritones” is an unofficial response to the “Three Tenors” conversation. The popular and commercially successful operatic singing group exploded in the 1990s, boasting the star power of Plácido Domingo, José Carreras and Luciano Pavarotti. One of many imprints left by the trio was the elevation of the tenor vocal part to cultural primacy, somewhat at the expense of the baritone.

Observation of the recent past’s dearth of strong, new baritone parts is included in the show’s second half. Although the script creditably and diversely attributes the dive to the rise of stadium rock as much as any other influence, there is a pervasive, if amiable, defensiveness. The “Baritones Unbound” have something to prove. For slightly more than two hours, Kudisch, in partnership with fellow sonorous ones Mark Delavan and Nathan Gunn, as well as Musical Director Timothy Splain, takes audiences to school.

The history of the baritone begins with 10th Century variations on the original Gregorian chant and runs through “Miss Saigon” and beyond. I wouldn’t know this if Kudisch, Splain and writing partners Merwin Foard and Jeff Mattsey hadn’t done such painstaking research. Along with a varied assortment of storied musical numbers that run the gamut from Mozart, to Gilbert & Sullivan to Johnny Cash, the narrative unfolds with a delicate and insightful use of multi-media. This is another Felder staple and when I saw the Scenic Design attributed to the producer himself, there was no surprise.

In perusing the production’s press materials, I was amused to discover that among the highlights of Delavan’s and Gunn’s illustrious careers, the pair have been branded with fanboy/fangirl nicknames. “The Voice of God” and “Barihunk,” are the respective flags by which the two men are sometimes known. I can pronounce these pet monikers well-deserved.

Gunn handsomely transitions many of the segments with a deliberate walk center stage that stands in contrast to the more screwball antics of say, Kudisch. I’m a huge fan of screwball antics by the way, as was most of the adoring crowd at the press opening — and we are a difficult lot to impress. When Kudisch held a long, deep note while also maintaining a front split position, we were truly amazed. The man’s a middle-aged hero! Diversity of talent is the most special effect of all.

And Delevan’s “Voice of God” label is earned honestly. His impressive resume is chockablock with the finest and most popular in opera, and the years of training show. Delevan’s gorgeous, booming voice, so otherworldly and effortless, is humanized by self-effacing physical comedy skills.

Magnified by the intimacy of the Royal George’s individual theaters, the three baritones are captivating. Delavan, Gunn and Kudisch enjoy an aqueous chemistry united by individual gifts, niche experience and genuine love of the covered material.

However in lauding the talented and titular cast, it would be remiss to exclude Splain from the curtain call. By the time he steps out from behind the piano and grabs a mic, while Delevan and Kudisch pick up guitars, it’s the Beatles at the Ed Sullivan Theater all over again. Total rock stars.

Fans of music from all eras, who love the satisfying sound of strong, classically trained voices nimble enough to tackle just about anything: find room on your busy holiday schedule for a rousing history lesson. That’s the Hershey Felder brand. And “Baritone’s Unbound” delivers on its promise.

“Baritones Unbound” runs through Jan. 3, 2016 at the Royal George Theatre, 1641 N Halsted Street, Chicago, IL. For information or tickets, call 312-988-9000 or visit the Royal George Theatre website.