“With the world premiere production of La Ruta, written by Chicago playwright Isaac Gomez, the theater company burnishes its progressive reputation with another bold, beautiful and timely piece of art. A late 2018 look at the recent, intersectional history of North American trade, gender dynamics, gang warfare, and their collective impact on personal freedoms, director and ensemble member Sandra Marquez leads a stunningly talented all-female cast to an unmitigated dramatic victory.
It’s the late 1990s and NAFTA has created new opportunities and threats for the women living in Mexican border towns. Many of them make arduous bus commutes to work long hours for little pay in U.S.-owned factories. La Ruta — inspired by real testimonies — allows audiences to drop in on the stressful demands that keep them fighting, laughing, singing and working, while unseen men administer a metastasizing culture of fear, corruption and violence that clings to the periphery of every word and action.
In this Steppenwolf production, most of the live music is offered by guitarist, singer and actress Laura Crotte (Desamaya) who leads her fellow cast members through poignant, piercing musical interludes interwoven through the play’s action. A trobairitz (the feminine troubadour) for the late 20th century, the combination of Ms. Crotte’s musical gifts and acting talents result in a stunning visual soundtrack that penetrates the eyes and ears. Audiences are initially drawn in, then bid goodnight by the performer’s siren calls for love, peace and justice. There were more than a few misty eyes in the audience after this week’s first press opening, a testament to La Ruta’s powerful combination of song and drama.”
This followed the White House’s admonishment of ESPN journalist Jemele Hill, which underscored the the traditional divide between government reach and personal opinions. Censoring the media and skirting the First Amendment seems to be the new norm. We see this in the administration’s preference for conservative white journalists – another break with accepted, multi-voiced tradition. This pandering to white media fosters an environment where police departments can continue to escalate racial divisions among private citizens. Posting “all lives splatter” content on September 11th assaulted public sensitivity and attempted to invalidate a legitimate statement of equality and equity.
This media divisions the Trump administration is sowing also highlights the role that Facebook had in swaying the 2016 election. We now know that $100,000 paid for ads on the social channel, with the buys coming from fake Russian accounts. Facebook also allowed similarly targeted ads with anti-Semitic content to be posted as recently as this month, as well as a fake housing ad that excluded specific minorities.
With evidence mounting regarding a highly suspect 2016 Presidential election, little progress or forward motion in identifying and punishing state actors has been seen.
And despite last week’s “Will they or won’t they?” drama between the President and “Chuck and Nancy,” Trump has not confirmed his commitment to DACA. GOP leaders seem poised to shoot down any efforts to protect Dreamers in legislative form.
Which way do the Trump winds blow? I think that’s exactly what the President wants us to keep asking. By keeping politicians and the people guessing, he keeps himself trending on social media – and that’s power in his warped mind.