“With the world premiere production of La Ruta, written by Chicago playwright Isaac Gomez, the theater company burnishes its progressive reputation with another bold, beautiful and timely piece of art. A late 2018 look at the recent, intersectional history of North American trade, gender dynamics, gang warfare, and their collective impact on personal freedoms, director and ensemble member Sandra Marquez leads a stunningly talented all-female cast to an unmitigated dramatic victory.
It’s the late 1990s and NAFTA has created new opportunities and threats for the women living in Mexican border towns. Many of them make arduous bus commutes to work long hours for little pay in U.S.-owned factories. La Ruta — inspired by real testimonies — allows audiences to drop in on the stressful demands that keep them fighting, laughing, singing and working, while unseen men administer a metastasizing culture of fear, corruption and violence that clings to the periphery of every word and action.
In this Steppenwolf production, most of the live music is offered by guitarist, singer and actress Laura Crotte (Desamaya) who leads her fellow cast members through poignant, piercing musical interludes interwoven through the play’s action. A trobairitz (the feminine troubadour) for the late 20th century, the combination of Ms. Crotte’s musical gifts and acting talents result in a stunning visual soundtrack that penetrates the eyes and ears. Audiences are initially drawn in, then bid goodnight by the performer’s siren calls for love, peace and justice. There were more than a few misty eyes in the audience after this week’s first press opening, a testament to La Ruta’s powerful combination of song and drama.”