After Mid-August Rest, Jason Heyward Comes Back in a Big Way

heyward

“Since returning to the lineup, Heyward has five multi-hit games in eight starts, including the one-man devastation handed to the Giants. As concerned Cub fans have come to realize, baseball Zen-master Maddon knows more than any of us. He said of Heyward’s high-performance turnaround, ‘I really believe when a very good major league player may be struggling, if he just sits and watches a major league game being played and then understands, `I’m one of the best’,” it does something internally.’

With the Cubs inches away from a single-digit magic number, Heyward’s resurgence is great news for Wrigleyville Nation. It’s also a huge potential migraine for other playoff contenders. Fansided’s Robert Davis editorialized, ‘As Cubs fans begin remodeling for their ‘Clinch Parties,’ it may be best for managers around the league to redo their approach to Chicago’s lineup.'”

Read the full post at Wrigleyville Nation.

Bush/Gore Part II? The Media’s Familiar, Dangerous Bias

trump102

“[Paul] Krugman perfectly articulates the stifled rage of many politically engaged with an analogy that also underscores the raised stakes. It’s almost hard to believe that America faces a situation direr than the choice between the semi-bland but competent Gore (who must realize that running from Bill Clinton’s record was a huge error), and the leader who would take us falsely into the Iraq while busting the deficit with unprecedented tax cuts.

But let’s remember that George W. Bush actually wanted comprehensive immigration reform. Donald Trump, per his speech in Phoenix last week Wednesday, believes “It’s our right as a sovereign nation to choose immigrants that we think are the likeliest to thrive and flourish and love us.” This guy is a hair away from preaching eugenics yet somehow continues to be taken seriously as a candidate for Leader of the Free World.”

Read the full post at Contemptor.

A Laborious Summer

Summer in the City

Today is Labor Day, that celebration of the American worker that falls on the first Monday in September. In a lovely explanation provided by the United States Department of Labor, we dedicate the national holiday, “to the social and economic achievements of American workers. It constitutes a yearly national tribute to the contributions workers have made to the strength, prosperity, and well-being of our country.”

These fine laborers also form our communities, our circles of friends and family. I remember my maternal grandfather Eugene Bosiacki, a WWII veteran who later drove a streetcar for the relatively nascent Chicago Transit Authority. Poppa was robbed a number of times on the job – an era in which drivers carried cash, expected to make change for riders. He was a man of few words so I’ll never know if these episodes frightened him half much as his time spent as a teenage POW in The Philippines. Somehow I doubt it. In the mid-1980s, Poppa was forced into retirement from his final career as a cable salesman. The company was moving out of state. He was well into his 60s and gee, management would love to extend him an offer to relocate after decades of service. But everything is being computerized and well, of course you understand….

I think of my paternal grandmother June Crowley, who juggled multiple waitressing jobs while raising six kids as a single mother in Chicago. After she retired to her own little cottage across the Illinois border in Wisconsin, June had bunions and painful arthritis from years on her feet. But she also relished the satisfaction of having earned her rest and peaceful homestead. No one had handed her a thing.

I’m reflective of my own academic, non-profit, corporate and volunteer labor. The years of under pay and few (if any) benefits. The career reinvention at age 30 that found me pursuing a dream of writing just as the George W. Bush economy fully cratered. The moments I felt hopeless and crushed under the weight of agendas not my own. And the relative career autonomy and satisfaction I enjoy today, a direct result of timely opportunities and relentless self-advocacy.

But Labor Day 2016 is full of other thoughts beyond the worker and his or her struggles and gains. The holiday also traditionally marks the unofficial end of summer and this one, for me, has been unusually hot and painful. I love the heat and any other year, the Windy City’s months of sultry humidity would be received as a blessing. However when one is physically and psychologically stunted by grief, the languid heaviness of the environment depresses an already weak will to engage.

On Memorial Day, recognized as the informal commencement of summer, my dear friend, theater companion and liberal political debate partner Todd died from a sudden heart attack. Prior to his jolting death, we’d been enjoying beer and pretzels at a local German bar in my neighborhood (where incidentally, Grandma June was employed for many years). We looked forward to a series of concerts and other plans for the coming months. We gave each other a warm, long parting hug. Then Todd went home, enjoyed some of his favorite music (per his final Facebook posts), went to bed and never woke up. I’m still struggling to process that such an important part of my daily existence is gone for good.

This past Thursday as Labor Day weekend approached, a colleague for whom I had enormous respect died after a short battle with eye cancer. Her medical leave was just announced that Monday. Three days later she was gone, leaving behind two young children, a bereaved husband and a legion of befuddled colleagues. Didn’t we just have a drink with her at the office summer outing a few weeks ago? Kristin, like Todd, was in her early 40s with so much left to do. When I return to work this week, there will be an interim director in her seat. Why does life move on with sterile logic when it feels like everything ought to stop?

These bookend summer tragedies created a strange, surreal layer of additional thickness, overlaying Chicago’s muggy air. Air that already stifled from winter’s loss of my fur babies, Dino and Meko, as well as the April death of creative muse and master of individualism, Prince. Bob mourned the passing of his beloved godmother in June.  Death is of course, part of life. But how is one to deal with such an endless conveyer belt of emotional punches? I laid down often this summer. I didn’t always get back up without strenuous effort.

I see much celebration over the advent of fall in my Facebook newsfeed. Normally I regret the end of summer too much to welcome the change of season. Because fall has this annoying habit of leading to winter – a cruel set of Midwestern months indeed. This year feels different. My grief will travel with me as I watch the changing leaves fall to the ground, but I feel the sensible need for a rotation of scenery, of a different energy charged with autumn static. The promise of a difficult year approaching its denouement.

Kinky Boots

Kinky Boots

Because I have apparently spent the last four years living in a musical theater trunk, I knew shockingly little about six-time 2013 Tony Award-winner “Kinky Boots.” With keen interest I was aware that the show is scored by 1980s pop music legend Cyndi Lauper and that the plot has something to do with shoes. Touring productions have passed through Chicago several times but somehow I always missed them.

I am pleased to report that this bit of Broadway ignorance has been rectified. Directed and choreographed by Jerry Mitchell, with a book by Harvey Fierstein, “Kinky Boots” is back in town at the Oriental Theatre for a limited one-week engagement. Fierstein, who recently disappointed me with the one-dimensional Disney musical “Newsies,” returns to fine narrative form with the story of Charlie Price and Lola. The plot summary per press materials is as follows:

“Charlie Price is struggling to live up to his father’s expectations and continue the family business of Price & Son. With the factory’s future hanging in the balance, help arrives in the unlikely but spectacular form of Lola, a fabulous performer in need of some sturdy new stilettos.”

This is accurate and yet, as opposed to the oversimplified “Newsies,” “Kinky Boots” is full of loaded, complicated questions. Can legacy craftsman stay alive in the modern commercial world of outsourcing? How are the relationships between fathers and sons shaped by expectation and ambition? And what exactly does it mean to “be a man?”

Not all of these queries are given clear answers and that’s as it should be. What the source material and strong performances do assert however is that manhood is actually a wide variety of profiles in courage, personalized for every individual. And Lola, a trained prize fighter, loving human and drag queen extraordinaire defies all stereotype to present an engrossing, complex, emotional portrait of maleness.

While Billy Porter originated the role on Broadway, Lord have mercy J. Harrison Ghee. The actor, best known for a regional production of “The Color Purple” is a force of nature. Stunningly good looking, powerful of movement and with a soaring, gorgeous voice reminiscent of a young Luther Vandross, this is Ghee’s stage and he knows how to command it. The artist is no slouch in the dramatic department either. Just try not to weep at the conclusion of “Hold Me in Your Heart” toward the end of the second act.

The cast is not as uniformly and uniquely gifted as Ghee. Adam Kaplan’s Charlie is cute and likeable, but the performance is a quick, pleasant consumption, unlikely to stay with the audience longer than it takes to process the sugar rush. And it’s kind of hard to understand why stage and television screen icon Jim J. Bullock would undertake the largely throwaway role of George, the Price family accountant. He has a couple of good moments but his larger-than-life “Too Close for Comfort” personality is buried under a frumpy costume and rote dialogue.

Tiffany Engen, as dedicated Price employee and Charlie-smitten Lauren fares much better. She is a talented physical comedienne who uses every millimeter of her short stature to project an endearing, quirky foil to Charlie’s social-climbing, materialistic fiancée Nicola (Ellen Marlow).

As for Lola’s parade of “Angels,” a chorus of drag amazingness embodied by Joseph Anthony Byrd, Sam Dowling, Ian Gallagher Fitzgerald, JP Qualters, Xavier Reyes and Sam Rohloff, there’s almost literally no words. Their physiques, costumes, acrobatics, sass, and strut are both an extension of Lola and a magnificent entertainment standalone. The musical numbers that conclude both acts — “Everybody Say Yeah” and “Raise You Up/Just Be” — would have much less punch without this group of rhythmic, sexy performances.

Cyndi Lauper earned every piece of metal that went into creating her Tony Award for Best Score. Each carefully crafted tune is a catchy, touching story, seamlessly serving plot movement while working just as well as party playlist addition. The soundtrack will be on my holiday gift list this year.

There are some minor details with which a critic could quibble. The second act argument between Charlie and Lola feels a bit contrived and some of the rural England factory characters are shallowly drawn. But really, who cares? “Kinky Boots” is one hell of a show. Chicagoans are encouraged to catch it before it sashays back out of town.

“Kinky Boots” runs through September 4 at the Oriental Theatre, 24 W. Randolph Street, Chicago, IL. For information or tickets, call 800-775-2000 or visit the Broadway in Chicago website.

Just Warming Up: Kris Bryant Pulls Away as MVP Frontrunner

Bryant

“This coming Labor Day weekend, I’ll make my third 2016 trip to Wrigley Field for Sunday’s game against the San Francisco Giants. I’m always excited to hear Bryant’s walk-up song, ‘Warm It Up Kris,’ the classic early 1990s rap tune tendered by Kris Kross. I’m not even sure Bryant was born when the song was briefly popular, but any writer has to love the name symmetry and fans (especially with a couple beers in the belly) can’t help but bounce to the peppy beat.

But we’ll be cheering Bryant’s plate approaches a little extra loudly because, as of this week, he’s the National League MVP frontrunner. All by himself. According to the latest report, ‘[the] third baseman for the Chicago Cubs and occasional outfielder, received eight of the 10 first-place votes in USA TODAY Sports’ NL MVP power rankings.'”

Read the full post at Wrigleyville Nation.